Three Writing Habits to Change in College

A lot of what we learned about writing in high school was designed to make us score well on AP exams, SATs, and other high-stakes tests. That’s all well and good, but the same style of writing that we used in high school might not work so well in a college-level class. Adjusting to college-level writing can be difficult, but if you build on what you already know, it won’t be so daunting. Here are three of the most important writing conventions to change:

The upside-down triangle:

A common tip for essay introductions is to start with general knowledge and work your way down to a specific thesis. Visually, then, your introductory argument would look like an upside-down triangle. Although this method might be a quick, easy way to start a timed essay, be careful about how broad your first sentence is. The upside-down triangle can lead to cliché first sentences like “Since the beginning of time…” or “Throughout human history…” Your professors want something a little more original and specific than these beginnings.

For example, in a literature analysis, instead of starting off with a blanket statement, start by being as specific as possible. Your opening sentence should include, if applicable, (1) the author of the work you’re engaging, (2) the title of the work, and/or (3) the topic you’re focusing on. The rest of your introduction should introduce tensions, questions, or other interesting things that you noticed or want to argue about in your essay.

The three-pronged thesis: 

A lot of students are told that a good thesis statement should include three separate points that will be addressed later in the essay, and that those points should correlate with three body paragraphs. But this way of constructing a thesis often leads to three unconnected ideas obscuring the main argument.

Depending on your discipline, using your thesis chiefly to outline your paper might be too mechanical. Just make sure that your thesis addresses your core argument and compels your reader to find out more. The most important element that your thesis can have is argumentativenessyour thesis should be debatable. If you can anticipate someone disagreeing with your thesis, that’s probably a good thing—you have the rest of your paper to prove your point, after all.

The five-paragraph essay: 

Strict adherence to the “five-paragraph essay” will also get you into trouble. This method is designed to give you a generic outline that will work with any type of writing. Again, while this is a very useful template if you’re writing a timed essay exam, you can do better in a college essay.

You should design paragraphs based on your ideas themselves, regardless of how many pieces of evidence or analysis it takes to support your argument, and often it will take more than three body paragraphs to prove your point. Each paragraph should lead logically into the next and should build on the ideas that came in the paragraph before. Organize your paper according to what makes the most sense for your argument—in a literature analysis, for example, try moving from the literal to the metaphorical.

These three conventions of writing had their merits, especially in the context of important timed exams in high school. But in the case of college writing, it’s time to bend the rules a little bit.

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Co-Creating Communities

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Sharon Zuber is the 55th recipient of the Jefferson Award. Photo by Stephen Salpukas.

Receiving the Thomas Jefferson award has given me an opportunity to reflect on the tradition of “community” at William & Mary that has made my job possible.

I’ve been known to confess that I liked college so much that I never left! Why?  I value the spaces – the physical, intellectual, and spiritual spaces – that define our College. In this W&M Community, we are given an opportunity to grow, to thrive, to embrace tradition while redefining and revising that tradition in dynamic ways that often cross disciplinary boundaries.  One example of this process is how the COLLege curriculum builds on and re-visions our Liberal Arts tradition, encouraging us to think in new ways, and one of these spaces is our own Writing Resources Center.

When working on the documentary about the Gloucester, VA, watermen, I learned that a Chesapeake Bay blue crab molts as many as 20 times before reaching maturity.  As learners and educators, we also go through “moltings” – growing and shedding old ways of thinking, working through feelings of discomfort and resistance.  The W&M community provides a place for us to take risks, to experience different cultures, a place that values innovation and critical thinking and encourages collaboration.  At its best, our community gives us a safe space, like the writing center, to try on new ideas and be vulnerable – laying a foundation for our future.

Some of you may choose academics, but every person here has the potential to become a co-creator, a designer, within your chosen communities – those of your family, the workplace, and around the globe; you can do this by building into these spaces support for creativity, compassion, and social justice.

If you do, you will be following in the footsteps of W&M alums who are continuing their education on Broadway stages; at Standing Rock; in the Peace Corps; being thoughtful, supportive partners and parents; coaching and playing sports; producing events and documentaries; and even directing writing centers.

I am proud to be a part of this W&M community and thankful for all of the people who have given me an opportunity to continue to grow and learn!

But I want you to know – I’m still molting.

Thank You.

Writing as Hospitality

consider-before-buying-home-hp-origOne of the most inspiring consultations I have ever had was with a senior science major who wanted to talk about a graduate school essay. I promised I would help her as best as I could, but as a sophomore majoring in two liberal arts fields, I was not that familiar with specific standards for post-graduate STEM applications. As she began to read, I feared that I would not know the right questions to ask her.

It turned out that I didn’t need to know any technical aspects of her field; what she wrote about was not the practice of her science, but the moment she fell in love with it. As she took me through that moment and wove it through her undergraduate experiences, I found myself grinning. I could feel the authenticity in her voice, both the one I was hearing and the one I was seeing on the page. I was overjoyed that she shared her passion for science with me during that hour, and it made our conversation mutually constructive and exciting. She had invited me into her thoughts, and I felt honored to have received the invitation.

One of the hardest, yet most rewarding parts of writing is our desire to portray ourselves truthfully on the page. To pick the perfect arguments, phrases, and words that will make us say, “Yes, that’s me. That’s what I need to say.” In that sense, when we have gone through that process to the best of our abilities and have someone else read our work, we are sharing a piece of ourselves with them. We are inviting them into the world of joys, sorrows, loves, conundrums, and other thoughts and emotions with which we contend everyday.

My science major consultee awed me not only with her words, but also with the trust she placed in me. Reading others’ work, and sharing our own, deepens the empathy and trust inherent in our interpersonal connections. This thought has crossed my mind many times throughout my time in the WRC; in the past semester alone, I’ve read about marine science and international social justice, Socrates and the French Revolution, accounting and The Rime of the Ancient Mariner, and many topics in between. The diverse conversations and worlds that my fellow students have shared with me are proof of the beauty and bravery of the writing process. Collaborating on a piece opens up new forms of truth and opens our minds to receive them.

When we share and receive writing, we may not know what worlds to expect. Yet we can always honor the invitations and appreciate their design.

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